1861-1929  Related Paintings of Etienne Dinet :. | The Escape of the Bathers | Fillette se violant | Tete d'Arabe | Une Ouled Nail (mk32) | Sur les terrasses,clair de lune (mk32) |
Related Artists:
Richard Westall
English Painter, 1765-1836 was an English painter. Westall was the more successful of two half-brothers (both sons of a Benjamin Westall, from Norwich), who each became painters. His younger half-brother was William Westall (1781C1850), a much-travelled landscape painter. Born on 2 January 1765 in Reepham near Norwich (where he was baptised at All Saints on 13 January in the same year) Richard Westall moved to London after the death of his mother and the bankruptcy of his father in 1772. He was apprenticed to a heraldic silver engraver in 1779 before studying at the Royal Academy School of Art from 10 December 1785. He exhibited at the Academy regularly between 1784 and 1836, became an Associate in November 1792 and was elected an Academician on 10 February 1794. From 1790 to 1795 he shared a house with Thomas Lawrence (later Sir), the future Royal Academy president, at 57 Greek Street, on the corner of Soho Square, each of the artists placing their name on one of the entrances. His works C many in water-colour - caused great interest in the late years of the 18th century when he was considered by his chief patron Richard Payne Knight as an outstanding artist of the picturesque. He painted works in a neo-classical style for John Boydell's Shakespeare Gallery and for Henry Fuseli's Milton Gallery. His painting of John Milton and his daughters hangs in Sir John Soane's Museum in London. A number of scenes in which Westall depicts events in the life of Horatio Nelson are at the Maritime Museum. Westall was a prolific illustrator of books of poets and writers including Sir Walter Scott and Oliver Goldsmith, Byron - who greatly admired his work, stating that "the brush has beat the poetry". He also illustrated editions of the Bible,
Marco Ricci
(5 June 1676 - 1730) was an Italian painter of the Baroque period. He was the nephew of Sebastiano Ricci. After receiving his first instruction in art from his uncle, he visited Rome, where he was for some years occupied in drawing vedute. Ricci was born at Belluno. In 1710 he came to England with his uncle, and his vedute of ruins and architecture (capricci) found many patrons. Marco Ricci etched several plates from his own designs, consisting of views and landscapes, with ruins and figures, including a set of twenty-three prints, entitled Varia Marci Ricci Pictoris priestantissimi experimenta ab ipsomet auctore inventa, delineata atque incisa, et a me Carolo Orsolini Veneto incisore in unum collecta, c. Anno 1730, Venetiis. He died in Venice.
Juan Correa de Vivar
Spanish , c.1510-1566 was a Spanish painter,Correa's date of birth has been determined to be around 1510. Records show he grew up wealthy. When Juan was 17 or 18 years old he joined an artist workshop in Burgundy where he met with many other Spanish artists at the time, including Pedro de Cisneros whom he befriended. Juan's brother Eufrasia and Eufrasia's son Rodrigo also grew up to be artists. Rodrigo was apprenticed with his uncle, and continued some of his uncle's works after his death. In Mascaraque, Juan was a substantial landowner with a nice house where he did much of his painting. He took frequent trips but always stayed in the Toledo area. Juan was married and a religious man. It can be seen in his testament: a copy was found in the church files of Mascaraque. When he died, Juan split all his possessions between his nephew Rodrigo and the church of Mascaraque. Juan was a well-regarded painter during his life, but many records were lost. His works and life were brought to light again when the researcher and art historian Ceen Bermudez in 1800 published a dictionary of famous artists and included a brief article about his works and Italian influences. The full reconstruction of its biography has been primarily accomplished in the 20th century. Records show Juan died on April 16, 1566 in San Miguel. Juan's body was taken back to Mascaraque where he was buried, in the same plot where his parents were laid to rest. Many members of the artistic community came to the funeral service,